A (Half) Day in the Life of Zoe Ink

I recently attended a half-day let­ter­press work­shop – partly to keep the cre­ative juices flow­ing, but mainly because I’ve admired the work of Zoe Papas of Zoe Ink for years, and wanted to expe­ri­ence the process first-hand.

My friend Lisa and I arrived at Zoe Ink and started with an overview of the his­tory of print­ing and the evo­lu­tion of this age-old tech­nol­ogy. We picked up and exam­ined antique let­ter­press art­work and let­ters, and mar­veled at the thought of hand-setting in row and rows of type, one let­ter at a time. We learned about dif­fer­ent presses Zoe works with, and were awed by their power and pre­ci­sion. Soon we were geared up to dive into work on her large press!

Opening draw­ers and draw­ers of neatly orga­nized art­work, Lisa and I finally agreed on our first design – an array of dahlia flow­ers. We painstak­ingly set up the press with clips and guides, and mea­sured and cut paper for folded note­cards. We mixed up cheery orange ink by hand and applied the tini­est amount to the press. Finally, we set up the art­work place­ment and trans­ferred it to the block. A lot of work just to get to the start­ing line!

I went first. Holy smokes … it was quite intim­i­dat­ing at first. Zoe’s large press is an impres­sive and daunt­ing machine, with mov­ing wheels and rollers, a rotat­ing wheel of ink, and a big gear to pull when you’re ready to press the inked plate into your paper. The tim­ing is crit­i­cal … get the paper lined up on your clips and guides before the machine clamps down and poten­tially takes a hand with it. Zoe watched patiently while my heart raced. We fine-tuned the press so the depth of the impres­sion was just right – not too light so it appeared like tra­di­tional print­ing, and not so deep that it trans­ferred to the other side. By the end of my first batch of cards my heart had stopped rac­ing, and I was almost get­ting the hang of it.

Over the course of the next four hours, we made mon­u­men­tal progress – com­pleted a few dif­fer­ent sizes and styles of cards, cleaned the press, changed ink color, hand scored the soft­est folded cards, machine-scored the more for­giv­ing ones, hand trimmed the final folded cards so they were absolutely per­fect, selected match­ing envelopes, and pack­aged them all up in tidy cel­lo­phane wrap­pers. (Oh yeah, we did a fair amount of snack­ing over the course of the after­noon too!)

All in all, I have a new­found appre­ci­a­tion for crafts­peo­ple like Zoe who com­bine an artis­tic eye with a stan­dard of absolute per­fec­tion in their craft. I was stunned by the amount of hand­work she puts into every card — the type of work we take for granted when so many auto­mated processes exist today. It was a refresh­ing change of pace to step away from a com­puter, and cre­ate a piece of art, one step at a time, by hand.

I couldn’t rec­om­mend her work­shop enough. You can learn more about Zoe Ink and her let­ter­press genius at www.zoeink.com

2013: The Year of Responsive Web Design

“Day by day, the num­ber of devices, plat­forms, and browsers that need to work with your site grows. Responsive web design rep­re­sents a fun­da­men­tal shift in how we’ll build web­sites for the decade to come.”
– Jeffrey Veen

The term “respon­sive web design” – also known as RWD – is a rel­a­tively new term coined by for­mer Vermonter, and cur­rent Bostonian, Ethan Marcotte in a May 2010 arti­cle in the mag­a­zine, A List Apart. Responsive web design is a fun­da­men­tal change in the way web design­ers cre­ate web­sites. Instead of being designed and built for a set-width screen, a respon­sive web­site is designed to adapt to the width and capa­bil­i­ties of the device on which it’s viewed.

In the past, vir­tu­ally all web­sites were designed to work well on a typ­i­cal desk­top or lap­top PC, but were often dif­fi­cult to see and nav­i­gate on a mobile phone. The solu­tion was to develop a sep­a­rate web­site or appli­ca­tion designed to work on smaller screens. This was more expen­sive and harder to main­tain than hav­ing just one site for all vis­i­tors, but it worked well for many large retail­ers. In 2011, Amazon.com hit $2 bil­lion in sales through smart­phones and tablets world­wide; that was up 100% from $1 bil­lion in 2010.

Small-scale retail­ers found it less cost-effective to build a com­pletely dif­fer­ent web­site to accom­mo­date what was still a rel­a­tively small amount of mobile traf­fic. But, times are rapidly chang­ing, and now even the small­est com­pa­nies can ben­e­fit from jump­ing on the respon­sive bandwagon.

Web surfers shift­ing toward mobile devices
While sales of mobile devices were grow­ing expo­nen­tially, 2012 was the first year since 2001 that showed a decrease in the num­ber of PCs sold. Not coin­ci­den­tally, roughly 120 mil­lion tablets were sold in 2012 – com­pared to 66 mil­lion in 2011 – with world­wide sales esti­mated to reach nearly 370 mil­lion units by 2016!

Mobile web surfers: A whole new class of cus­tomers!
• 87% of American adults have a cell phone
• 45% of American adults have smart­phones (107 mil­lion peo­ple!)
• 26% of American adults own an e-reader
• 31% of American adults own a tablet com­puter
• 31% of mobile web-capable phone own­ers use them as their pri­mary means to access the Internet.
• 1+ bil­lion smart­phones in the world
• Mobile inter­net usage is pro­jected to over­take desk­top inter­net usage by 2014
• 46% of con­sumers are unlikely to return to a mobile site if it didn’t work prop­erly dur­ing their last visit.
• 66% of those ages 18–29 own smart­phones
• 68% of those liv­ing in house­holds earn­ing $75,000 also own them
• In the U.S. 25% of inter­net users are mobile only

Myths about respon­sive web design
• It’s a pared-down, bor­ing expe­ri­ence com­pared to a web­site viewed on a desk­top com­puter
• Mobile web devel­op­ment is too expen­sive for small and medium-sized businesses

Mobile web­sites can have most, if not all, of the bells and whis­tles of their desk­top coun­ter­parts. RWD prices are com­pa­ra­ble to tra­di­tional web­sites, but com­pare even more favor­ably when the addi­tional rev­enue from the improved reach into the mobile mar­ket is taken into account. They can be designed to be just as impres­sive as their desk­top coun­ter­parts, and often far more impres­sive on smaller screens.

Some exam­ples of excel­lent respon­sive web­sites
There are some amaz­ing respon­sive web­sites out there, and more being built every­day. Take a look at some of the best in the list below. Adjust the size of your browser win­dow to see how these web­sites adapt.
bostonglobe.com
smashingmagazine.com
greygoose.com
webdesignerwall.com
jessicahische.is/awesome

Responsive web­sites devel­oped by Stride
• Trek Store Alaska – www.trekstorealaska.com
• Barber & Waxman – www.barberwaxman.com
• Green Mountain IP blog – greenmountainip.com

Exciting respon­sive web­sites in the works at Stride – stay tuned!
• Sweetwaters American Bistro
• Chittenden County Transportation Authority (CCTA)
• Vermont Community Garden Network
• Maine Integrative Healing
• Sheehey Furlong & Behm
• Vermont Oxford Network

Sources:
Pew Internet
Gomez
http://alistapart.com/article/responsive-web-design
http://bgr.com/2012/04/10/tablet-sales-to-double-in-2012/
http://www.slashgear.com/pc-sales-to-decline-in-2012-for-the-first-time-in-11-years-10251339/
http://www.internetretailer.com/2011/09/30/amazon-conquers-mobile-universe
http://johnpolacek.github.com/scrolldeck.js/decks/responsive/
http://www.accuconference.com/blog/Cell-Phone-Statistics.aspx

When creating your print materials, think like a softball player.

Pretend for a moment that you’ve agreed to play in a com­mu­nity soft­ball game. You’re not an excep­tion­ally good player, but you’re inter­ested in hav­ing some light­hearted fun. As you step up to the plate, the pitcher stares you down, and with­out warn­ing starts her windup. She deliv­ers a fast pitch over the plate, then another and another, and before you know it you’re back on the bench, plan­ning your polite but speedy exit from the game.

Now pic­ture your­self walk­ing up to the plate again. This time, there’s a pitcher on the mound who smiles, gives you a nod, and then starts a slow-pitch windup. The pitch comes in arc­ing up and then down right into your strike zone, giv­ing you time to find a con­nec­tion and hit the ball. As you run the bases, you’re fully engaged, never doubt­ing that you’ll stay in the game till the final out.

These two sce­nar­ios are like the dif­fer­ent ways in which com­pa­nies com­mu­ni­cate with their cus­tomers through their print col­lat­eral. Printed mar­ket­ing mate­ri­als, such as sales brochures, cat­a­logs, view­books, and some direct mail, are expe­ri­enced dif­fer­ently than other forms of media. They often demand what we call a pac­ing strat­egy. This method starts out like a slow pitch, allow­ing the reader to approach the infor­ma­tion slowly with low-density, com­pelling con­tent. The mes­sag­ing then builds to pages filled with high-density con­tent once the reader is con­nected and engaged.

If soft­ball isn’t your thing, you can also think of a pac­ing strat­egy as you would dat­ing: to be suc­cess­ful, you’ve got to entice your prospect and draw them in slowly. Only then can you unload your life story and the fifty rea­sons you’d make a good spouse.

Pummeling your read­ers with too-much-too-fast may be a bud­getary deci­sion to squeeze as much infor­ma­tion into as lit­tle paper as pos­si­ble, or it may be that you’ve got a mes­sag­ing pri­or­i­ti­za­tion prob­lem. Either way — inten­tional or not — an effi­cient, fast-pitch approach often leads to a dis­con­nect with your audi­ence, and the few bucks you’ve saved on paper or mes­sag­ing isn’t enough to cover those missed sales oppor­tu­ni­ties. New or ambiva­lent prospects aren’t ready for a bar­rage of infor­ma­tion from the first turn of the page. They often need an emo­tional con­nec­tion to your mes­sage before they’re ready to fully engage. That emo­tion doesn’t come from the details; it comes from things like a great photo, a cap­ti­vat­ing head­line, white space, and eye-catching color. Once engaged, your reader will hang on — and read more.

Next time you need to cre­ate a crit­i­cal mar­ket­ing piece, take a moment to con­sider how it will be paced for the best audi­ence engage­ment. Determine if a slow-pitch approach and a pac­ing strat­egy will make your mes­sage more per­sua­sive and effec­tive. Chances are, it will result in a home run.

Social media trends: who’s doing what out there?

We recently read an inter­est­ing study about the state of B2B mar­ket­ing trends, and found this info­graphic par­tic­u­larly inter­est­ing about cur­rent social media use:

The State of Content Marketing InfographicSo, what about B2C mar­ket­ing trends? We found this info­graphic as well:

B2C Content Marketing Trends Infographic

The take­away point? The most pop­u­lar social media out­lets for B2B com­pa­nies ver­sus B2C com­pa­nies vary some­what, but the major­ity have a pres­ence on Facebook, LinkedIn, Twitter, and YouTube. Is your busi­ness active on these sites?

Sources: Marketo.com blog post “The State of Content Marketing” and Content Marketing Institute blog post “2013 B2C Content Marketing Research: Benchmarks, Budgets, and Trends”

Modernizing marketing on mobile devices

According to recent ana­lyt­ics, over 17 mil­lion new smart­phones and tablets were acti­vated this past hol­i­day sea­son — pretty crazy, right? This fac­toid illus­trates a con­sid­er­able shift toward users read­ing and brows­ing on mobile devices.

So what does this mean for your busi­ness? If you send out email mar­ket­ing cam­paigns, it may mean it’s time for some upgrades, know­ing your emails are being viewed more often than not on a reduced size device. Here are some trends to fol­low to mod­ern­ize your email mar­ket­ing campaigns:

Email marketing on smart phones»Email mar­ket­ing newslet­ters have become less con­tent heavy. Lengthy arti­cles have been replaced with com­pelling copy and inspir­ing images that grab the viewer’s atten­tion quickly, suc­cinctly, and memorably.

»Layouts are sim­pler. One– and two-column lay­outs are becom­ing more com­mon than the stan­dard three-column design of the past.

»Your sub­ject line and lead in copy for your newslet­ters has to be strong, but not pushy — con­cise, but not hur­ried. Again, it’s all about cap­tur­ing the reader’s atten­tion, which is increas­ingly harder to do in our dig­i­tally depen­dent, dis­tracted society.

»The sizes of click­able links and graph­ics in your email are par­tic­u­larly impor­tant. Fingers func­tion as a mouse on a phone, which means less pre­ci­sion, so be sure that your call-to-action is easy to click.

Take a look for your­self at your email mar­ket­ing ana­lyt­ics. Check out how many of your recip­i­ents are view­ing your email cam­paigns on phones or tablets. If it turns out to be a large per­cent­age, then it’s time for some mobile-friendly ren­o­vat­ing. Give us a call and we’ll be happy to help you grow with the times.

PANTONE 2013 Color of the Year: it’s a real gem

Pantone Color of the Year GraphicEmerald (PANTONE 17–5641) is this year’s PANTONE Color of the Year. Described as “a lively, radi­ant, lush green,” Emerald evokes feel­ings of ele­gance and com­po­sure; reju­ve­na­tion and nature. This vibrant color of ver­dure is uni­ver­sally applic­a­ble to many themes, moods, and set­tings — from the red car­pet to your liv­ing room rug, from the great out­doors to the cozy indoors.   

How will you incor­po­rate Emerald into your life this year?

The Power of a Domain Name

Ever have an idea, one that just pops into your head and you think, “Now that could be The Next Big Thing”? More often than not, the idea passes as quickly as it comes. You fig­ure some­body else already has the idea, or that it’s just too hard to pur­sue the next steps.

Fatbikes.com home pageAs mar­ket­ing pro­fes­sion­als, it’s excit­ing to be a part of our clients’ new ideas. Many of these ideas grow and thrive. Others have poten­tial, but for one rea­son or another, don’t make it beyond the idea phase. And so, it’s par­tic­u­larly excit­ing to see one of our clients have a great idea, take a risk, and see the idea grow beyond his wildest dreams. What was it about this idea that made it a near instant suc­cess? Much of the suc­cess is found in the power of his domain name.

A few years ago, Bill Fleming ran a bike shop in Alaska. At the time, “fat tire” bikes, made for rid­ing on snow, were just in their infancy. He imag­ined a web site ded­i­cated to sell­ing fat tire bikes and acces­sories, and a sim­ple, easy to remem­ber URL came to mind — FatBikes.com. A quick online search revealed that the domain name had already been taken, but was for sale. Bill nego­ti­ated and pur­chased the domain name from an indi­vid­ual who had not even heard of fat tire bikes.

Soon after, with the help of our web team, Bill launched FatBikes.com. Its first month’s rev­enue nearly paid for his ini­tial web site invest­ment with Stride. Since then, FatBikes.com has increased in vol­ume and gen­er­ated enough rev­enue to ded­i­cate staff to the site’s main­te­nance and upkeep, and jus­tify mov­ing the ware­house oper­a­tion to Utah.

So, what’s most note­wor­thy about Bill’s story?

Don’t dis­count the power of your domain name.
Many com­pa­nies choose a domain name to match their com­pany name — it’s easy to remem­ber and quickly brings users look­ing for that com­pany to the cor­rect web site. However, the big­ger prize in search engine opti­miza­tion is some­thing com­pa­nies work long and hard to cap­ture: being listed at the top when generic search terms are used. By pur­chas­ing a domain name that con­sisted of the most generic key­word phrase, Bill cap­tured the most broad fat bike-related searches and brought them directly to his web site. The sta­tis­tics are astound­ing for a new busi­ness: FatBikes.com daily traf­fic has nearly tripled in the past six months, with vis­i­tors pri­mar­ily com­ing from the US and Canada, but sub­stan­tial orders being placed by cus­tomers in Europe, Scandinavia, Russia, and Asia.

Invest in the pur­chase of a domain name if you believe it’s the right domain in the long run.
Bill could have eas­ily reg­is­tered FatBikesAK.com or FatBikes.biz and saved sev­eral hun­dred dol­lars, but his instincts told him the invest­ment in the strongest domain name would pay off. Domain name sales can vary from a few hun­dred dol­lars to many thou­sands. So if your busi­ness idea is rooted in e-commerce sales, the ini­tial cost for that keyword-rich, search engine-friendly domain name may be the best busi­ness deci­sion you ever make.

Real” web fonts… and why they’re a big deal

Adobe Typekit brings beautiful fonts to the webFor many years, web design­ers have been con­fined to using a hand­ful of basic fonts such as Arial, Georgia, or Verdana to build their clients’ web­sites. Brand-conscious design­ers were forced to cre­ate graph­ics for cus­tomized head­lines and sub-headlines. But with recent devel­op­ments in the indus­try, “real” web fonts are becom­ing pop­u­lar — and beau­ti­ful — and the days of using images for head­lines may be gone forever.

Why does your web­site need real fonts instead of just using images?

  1. Quicker load times. Images take much longer to load than html text.
  2. Better com­pat­i­bil­ity with mobile devices. These days, 46% of American adults own a smart­phone. (Source: Pew Internet). Real web fonts allow for dynamic resiz­ing of text and increase the read­abil­ity of your con­tent on these devices.
  3. Quicker, more afford­able web­site main­te­nance. With html text, edit­ing a head­line is quick and easy; whereas with an image, a graph­ics edi­tor like Adobe Photoshop is needed. It must then be saved as a web-friendly file, uploaded, and linked in your page. And, you must have the cor­rect font file installed on your computer.
  4. Better search-engine rank­ing. Search engines such as Google and Bing read html head­lines but they don’t read the text in images. Therefore, any text used in a graphic needs to be added to the code on the page man­u­ally — adding main­te­nance costs and load time.
  5. Better acces­si­bil­ity to your con­tent. Some web users — often those with hear­ing or visual impair­ment — pre­fer to read web pages with images turned off. If an impor­tant head­line is an image, these read­ers will never see it. In addi­tion, screen read­ers (a tool for web users with visual impair­ment) are inca­pable of read­ing images that do not have text pro­vided as an alt tag. With web fonts, screen read­ers will be able to read head­lines and sub-headlines, cre­at­ing a more stream­lined and enjoy­able web experience.
  6. In some cases – it’s the law! Federal agen­cies must pro­vide a text equiv­a­lent to all con­tent pro­vided in images, video, and audio files to com­ply with Section 508 of the US Rehabilitation Act. Section 508 requires that elec­tronic and infor­ma­tion tech­nol­ogy that is devel­oped or pur­chased by Federal agen­cies must be acces­si­ble by peo­ple with disabilities.

How’s it work?

In 2009, a com­pany called Typekit began host­ing and serv­ing up web fonts that ren­der beau­ti­fully in most web browsers. They took painstak­ing mea­sures to opti­mize each font’s appear­ance in dif­fer­ent oper­at­ing sys­tems and browsers, and at dif­fer­ent weights and sizes. The com­pany cur­rently has more than 800 care­fully selected fonts to choose from, includ­ing every­thing from ornate scripts to chunky serif type­faces. Google joined the mix in 2010 and is now offer­ing more than 600 web fonts.

In most cases, your web designer or devel­oper can sign up for one of these ser­vices and have com­pelling, web-friendly fonts on your web­site in a mat­ter of hours or even minutes.

Interested in adding these fonts to your site? Contact us and we’ll have you set up with web fonts quickly and easily.

Social media and SEO: get social, get noticed!

Recently, a client of ours expe­ri­enced what we like to call SEO gold. The Good Table is a cor­po­rate and pri­vate cater­ing com­pany from Westchester County, New York, spe­cial­iz­ing in farm-fresh food made with local ingre­di­ents. The com­pany ded­i­cates a sec­tion of its web site to fea­tur­ing and cel­e­brat­ing the small fam­ily farms that sup­ply these ingredients.

One of the farms that The Good Table pro­filed — Laughing Child Farm of Pawlet, Vermont — added a link on their own Facebook to the Farmer Profile page. This social media effort not only pro­vided excel­lent pub­lic­ity for both Laughing Child Farm and The Good Table, but it actu­ally gen­er­ated a spike in web vis­i­tors for The Good Table — 10 times the typ­i­cal amount of daily visitors.

So, why exactly is this SEO gold? Search engines show pref­er­ence on their search engine results page (SERP) to web sites that receive rel­e­vant, inbound links — espe­cially when they’re com­ing from social media chan­nels. Social media activ­ity — includ­ing likes, pins, tweets, com­ments, links, and shares — dri­ves search queries, which in turn drive rank­ings on SERPs. In turn, this fuels brand vis­i­bil­ity and aware­ness. Therefore, not only did one Facebook link drive imme­di­ate traf­fic to The Good Table’s site, but it also helped add weight to future search engine rankings.

So, even if you’re not into social media, chances are you know some­one who is. Might not be a bad idea to ask around to gen­er­ate some links to your site. It just might be a gold mine for you.

Is your web design working for or against you?

Think of web users as win­dow shop­pers, walk­ing down a crowded city street. They judge store­fronts, win­dow dis­plays, sig­nage, and main­te­nance, among other things. Well, these days with Internet access lit­er­ally in the palm of our hands, your web site is the vir­tual store­front for your brand. Perhaps it’s time you con­sider renovating.

At the most basic level, your web site should com­mu­ni­cate infor­ma­tion quickly and eas­ily to vis­i­tors, while con­vey­ing the val­ues and aes­thetic of your brand. The design ele­ments of your web site, there­fore, should work together to project the right image and cre­ate a pos­i­tive user expe­ri­ence. This design process car­ries a great deal of com­plex­ity and detail, best han­dled by web design professionals.

Consider the fol­low­ing com­po­nents when you’re think­ing about the look of your web site, or online store­front — ‘tis almost the sea­son, after all.

Navigation
Put your­self in the shoes of a vis­i­tor to your web site. You want to be able to eas­ily move around the site, back and forth through dif­fer­ent sec­tions, and it should be as intu­itive as pos­si­ble. Different design ele­ments can help make your site easy to nav­i­gate: clear, well-designed head­ings; col­laps­ing menus; a sub-nav menu; and tabs. For large, com­plex sites, the use of bread­crumbs and a site map help the user expe­ri­ence as well.

Prioritization
While it may seem obvi­ous to pri­or­i­tize your con­tent on the lay­out of your web pages, there are many sites out there that don’t do this very well. Be sure that the most impor­tant infor­ma­tion is at the top of the page, and that it stands out and grabs the eye. Try and keep the con­tent that you con­sider to be a pri­or­ity “above the fold”, so vis­i­tors don’t have to scroll to find the infor­ma­tion they need. Moreover, vis­i­tors to your site should be able to iden­tify your com­pany, under­stand what you do, and locate the nav­i­ga­tion menu for your site in a mat­ter of seconds.

White space and spac­ing
Now that you’ve estab­lished the lay­out of your infor­ma­tion, don’t overdo it. You don’t want to over­crowd the pages of your site; this will con­fuse and over­whelm your vis­i­tors. Use white space, mean­ing space that inten­tion­ally has been left empty, to bal­ance the look of your site, and set the pac­ing for your visitor’s eye. But be care­ful — too much white space at the top can force impor­tant con­tent down­ward, “below the fold”, which leads to higher viewer disengagement.

Typography
Make sure the fonts you choose are easy to read. We know there are tons of funky, quirky, unique fonts out there — we geek out over them, too — but unfor­tu­nately, many of them are not highly read­able, espe­cially on a mon­i­tor. If vis­i­tors to your site can’t eas­ily read your con­tent, they’re not going to remem­ber it, let alone stay there for longer than 3 sec­onds. To that point, make sure the col­ors you’ve cho­sen for your text are read­able as well. If text is hard to read, vis­i­tors will leave.

You should also make sure that you use larger font sizes for head­ings and sub­head­ings through­out the pages of your site. This helps with read­abil­ity for both vis­i­tors to your site and search engines. And pay atten­tion to the line length of your text. If it’s too long, it becomes dif­fi­cult for read­ers to slog through.

Bottom line when it comes to typog­ra­phy: choose func­tion over fashion.

Color palette
Make sure that the col­ors you have cho­sen for your site not only com­ple­ment each other and your estab­lished brand­ing, but also set the desired atmos­phere you’re try­ing to exude. Certain col­ors evoke a tra­di­tional feel, while oth­ers seem more con­tem­po­rary. Some color palettes work well in one indus­try, and not so well in another. Moreover, some col­ors make you feel calm, other col­ors ener­gize you. Choose wisely.

Photography
Photography on your web site lends an engag­ing human ele­ment to your brand. High qual­ity pho­tog­ra­phy, in par­tic­u­lar, has a big impact on the user expe­ri­ence. There is a del­i­cate bal­ance, how­ever, between images and page down­load time — pho­tos with large dimen­sions can impede the time it takes to load your web site, likely caus­ing vis­i­tors to leave your site. On the other hand, pho­tos shouldn’t be so small that your site looks ama­teur and view­ers can’t see the details of the pho­tos themselves.

In terms of select­ing pho­tos for your site, work­ing with a pro­fes­sional pho­tog­ra­pher is ideal, but not nec­es­sar­ily fea­si­ble for every­body. Stock pho­tog­ra­phy is a budget-friendly alter­na­tive that can still get the job done. Choose wisely, how­ever, as many stock pho­tos are generic and cheesy, and can con­vey an image that’s off-message from your brand.

A web site that reflects a thought­ful design process will not only make your vis­i­tors happy — it will make search engines happy, as well. Just like human vis­i­tors to your site, search engines care about your store­front, too. But that’s an SEO-related blog post that you can read here, if you’d like. Until then, feel free to give us a call to dis­cuss any ren­o­va­tion plans you may have in mind.